![]() His credits include “Top Gun,” “Mission: Impossible II,” “Be Cool” and “True Romance.” He continues to be repped by the Mack Agency for commercials. Kimball will be repped by Endeavor in film and television. The company’s “Beyond the Da Vinci Code,” for the History Channel, earned two Primetime Emmy nominations in 2005.Ĭinematographer Jeffrey Kimball, producer Andrew Sugerman and visual effects producer Kurt Williams have signed with Endeavor. Martinez’s credits include Fox’s “Vanished” and the Fox pilot “Faceless.”Īlso signing with APA is Weller/Grossman Prods., which has produced shows for such networks as NBC, CNN, USA Network, Discovery Channel, AandE and Food Network. Thomas next appears in the indie film “The Beautiful Ordinary.” Thomas’ credits include the films “Holes,” “Walking Tall” and “Roll Bounce.” Flanigan, whose credits include Sci Fi Channel’s “Stargate: Atlantis,” will continue to be managed by John Carrabino. Alexander, who is onscreen in “Snakes on a Plane,” starred in and co-executive produced UPN’s “One on One.” Upcoming projects include “Poor Boy’s Game” and “Love … and Other 4 Letter Words.” He also is repped by Principato-Young Entertainment and attorney Anthony Mulrain. The actor’s credits include the films “Being Julia,” “The Art of War,” “Entrapment,” “My Cousin Vinny” and “Dances With Wolves” as well as Sci Fi Channel’s “Eureka” and CBS’ “CSI: Crime Scene Investigation.”ĪPA has signed a slew of actors, including Flex Alexander, Khleo Thomas, Joe Flanigan and Yara Martinez. I rewrote the script several times, and I talked with him, always at length, on the telephone, but I never saw him again.Maury Chaykin has signed with Bauman, Redanty and Shaul. “After all,” he said, “I tried so hard to be base.”.Tells about delivering a final draft, then rewriting from Kubricks alterations to this draft. Were they too intellectual? James doubted it. ![]() I recalled that when Henry James finally renounced working in the theatre a friend asked him whether he could explain why his plays were flops. I was now compiling a color-it-yourself book in which the spaces might have seductive outlines but were not to carry any instructions. The fourth or fifth version of the script was blanched of nearly all the duplicity that had made it alive for me. The only kind of rebel he was, in fact, was a rebel against being told what to do. Anything too finished left him with an obligation to obedience. That is not the kind of script Kubrick would ever want. Joe Mankiewicz used to say that a good script had, in some sense, already been directed. Kubrick was firmly opposed he wanted Fridolin to be a Harrison Fordish goy, and he forbade any reference to Jews. In one of our many subsequent talks, I pointed out to Kubrick how deeply Schnitzler’s novella-entitled “Dream Story” in English-is infused with Jewishness. Kubrick was not being indecisive he was postponing decision. Writer describes several discussions with Kubrick. I expected to hear specific notions of how he wanted the story transferred to New York, but evidently this was the problem I had been hired to handle. To do so, I should have to combine tact with forthrightness, deference with independence. He was a great filmmaker, and I wanted to see this thing through, whatever it was. It was a vast shell for the shrewd snail who found protection in it. His black eyes were enlarged by big spectacles. He was a smallish, rounded man with a beard that blurred rather than defined his features. Albans, built by a South African millionaire before the Great War. “I don’t think so.” Writer describes Kubrick’s house in St. It was possible, I told him, but hadn’t many things changed since 1900, not least the relations between men and women? “Think so?” Kubrick said. Kubrick, in a subsequent conversation siad he wanted to transfer the action from fin-de-siecle Vienna to contemporary New York. He guessed it must be the work of either Arthur Schnitzler or Stefan Zweig. Writer describes getting a long preliminary phone call from Kubrick and receiving a gray photocopy of a novella set in Hapsburg, Vienna, with the author’s name and title excised. ONWARD AND UPWARD WITH THE ARTS about working as screenwriter on Stanley Kubrick’s “Eyes Wide Shut”.
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